Prior to the show at Joe Louis Arena on Saturday 10/08/05, I've seen NIN twice. One was the NIN/Bowie tour in 1995, the other was the Fragility tour in 1998. The NIN show I witnessed on Saturday was by far the best concert I've ever seen in my life.
I arrived at the Joe around 8:30PM. Upon entering the venue, Queens of the Stone Age were in the middle of their set. I only know of one of their songs. That coupled with what I've read in the tour journal postings about Queens being relatively boring and songs sounding alike, I chose to have a couple overpriced beers in the concourse as the band finished their set. I'm sure they're excellent musicians along with Autolux, and I think there are many opening bands that get the same response due to the crowd being unfamiliar with the material. I figured I'd simply do it right that evening by finding my lower-bowl seat, then wait for that magic moment when the house lights cut out prior to NIN taking the stage.
I snagged a decent seat online several months before the show. Not the best, but then again not the worst, I was just happy to be there. After finding my seat, the house lights cut out around 10:00PM approximately. The crowd immediately roared, anxious with nervous energy. The rhythmic electronic pulsing of "Pinion" swept over the crowd as the stage remained darkened behind a translucent curtain. This curtain continued to conceal the stage as the band played "Love Is Not Enough" with each band member at times appearing as a silhouette, backlit by flashing lights.
The curtain dropped to the floor and NIN tore into Wish, accompanied by bright white strobes flashing in an intricate pattern that could probably send a healthy person into an epileptic fit.
Terrible Lie was then delivered with the same intensity that NIN displayed when they used it for years as an opener. More new material, The Line Begins to Blur sounded excellent live. Following this song, the keyboard "riff" from March of the Pigs was played a few times. Trent mentioned something to the effect of, "It's great to be back in Detroit...fuckin' pigs!!!" The crowd then got a thorough ass-kicking by this abrasive, well executed number. Trent appeared to either stage dive or otherwise join the front of the audience towards the end of this song. At the end of MOTP (the "now doesn't it make you feel better, etc") Trent and the band stopped everything and let the crowd finish all of it. Very cool. NIN then dipped into some Fragile material, as The Frail and The Wretched were played, followed by Closer. It was a real treat to hear Burn, which was pulled off well. Gave Up elicited a hell of a reaction from the crowd, even those in seats were bouncing around.
Some of the most awesome, memorable parts of the show followed, in my opinion. The translucent, mesh curtain was raised and video was projected onto it from somewhere in the middle of the floor. As the band played Eraser, Right Where It Belongs and Beside you in time, mesmerizing images were projected onto this screen. In somewhat of an order throughout these songs, I recall seeing images of:
-cells growing and multiplying
-stealth bomber, SR-71 Blackbird in mid-air amongst other fighter aircraft
-armaments being deployed from fighter aircraft
-military footage of the war
-impoverished communities
-individuals of wealth enjoying luxuries (i.e. the American Dream)
-George W. Bush
-wildlife action, monkeys, some large type of ape rushing towards a huge gathering of what looked kind of like pelicans...all the birds take off and the ape catches one, killing it
-what sort of looked like T.V. snow/white noise began scrolling vertically, gradually increasing in speed...awesome
This imagery combined with the music, as well as NIN being slightly visible behind the projection screen with their own stage lighting made this part of the show extremely mind-blowing. For me in was like being put in some sort of trance, the show at that point definitely took on a surreal, layered quality. Truly amazing.
The curtain once again dropped and NIN continued with Sin. Only was next, which Trent introduced as "something new". I was really looking forward to hearing this one live, which sounded excellent live. Trent did something different with the first "talking" verse...repeated something over and over, can't exactly pinpoint what it was. Reptile and Suck were played next, which I believe I hadn't heard live before. I think Reptile was played on the Bowie tour, but it was Bowie singing. Hurt was to no surprise, amazing and definitely a highlight of the show. Trent thanked the crowd, opening bands, replacement drummer and said he had two more for us. Those were The Hand That Feeds, followed by the closer, Head Like A Hole. Both songs were full of energy. Head Like A Hole still proved to be a killer when played live. Mad props to the band for demolishing a good amount of equipment by the end of that song. Especially whoever was stage left, nice job on the guitar...completely destroyed it...awesome. I saw a keyboard go sailing across the stage. Trent was a little more friendly, mildly tossing his guitar onto the stage.
That will be a show I remember forever. It's obvious that people worked their asses off to put on a production like that. It was truly an audio/visual/emotional show of art. If you're a NIN fan, this tour is a definite must see. If your not a NIN fan, this tour is a definite must see. Trent and crew really delivered the goods this time around, more so than any as far as I'm concerned. Hopefully they'll make it around once again in the future. Out...